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It’s simple, really: if digital imaging is an important part of your creative life, you’ll want Adobe Photoshop CS3. The new version provides so many improvements in so many areas that no serious digital photographer, video artist, or designer should be without it. But although the program is a must-have, it isn’t perfect. While some of Photoshop CS3’s new features shine, others need polish. What’s more, Photoshop now comes in two flavors, so you’ll need to decide between the standard version and the pricier, more fully featured ( ).
Interface hits and misses Photoshop CS3 sports numerous user-interface enhancements, many of which appear across the CS3 product line. Fortunately, Adobe didn’t change the vast majority of keyboard shortcuts that many Photoshop users perform in their sleep—so Photoshop veterans will feel at home even as they enjoy exploring their new surroundings. Foremost among these enhancements is a new scheme for managing Photoshop’s many tool palettes, now called panels.Panels can reside in docks that you can show and hide with a keystroke and have appear or disappear as you mouse toward or away from the edge of your screen. You can drag panels between docks and opt to have panels be represented by space-saving icons: click on an icon, and it expands into a panel.
So, with all that in mind, let's get on with detailing the downloads Office 365 and Office 2016 When this article was first published, it was before the release of Office 2016 when you could download a preview version to try for free. Obviously post-release, that isn't the case anymore – and there's no trial version of Office 2016. You get the fully installed (perpetual) Office 2013 versions of Word, Excel, PowerPoint and OneNote. Download excel 2013 free full version for mac.
Spend a few minutes customizing your panels and docks, and you can create a very efficient workspace. Alas, although you can stash free-floating panels on a second display, you can’t group them into docks that reside there. In general, Adobe could have done a better job of creating workspace presets that took advantage of a second display, as Apple did with ( ). Another panel-related quibble: In Illustrator CS3, you can customize panels so they appear in muted grays that distract less from the image you’re working on. Photoshop CS3 provides no such nicety.
The new Black & White dialog box provides several presets that simulate various film filters—even infrared. Photoshop CS3’s new Clone Source panel appears at the right edge of this screen; its dock is collapsed to icon view.Other usability improvements abound throughout Photoshop CS3. The new Black & White adjustment command lets you control how an image’s colors are converted to grays by clicking and dragging directly on the image instead of futzing with dialog-box sliders. Photoshop CS3’s Channel Mixer and Curves dialog boxes now let you save and recall presets. (The new Black & White dialog box does, too.) And the Print dialog box has been completely remodeled. Multi user license office for mac. Replacing the old Print With Preview dialog box, it provides a larger image preview that’s color-managed, reflecting changes when you choose different rendering settings and printer profiles.
Despite these interface improvements, Photoshop remains a daunting program for imaging newcomers. The little smatterings of engineer-speak that you find here and there don’t help. For example, Photoshop’s Brightness/Contrast command is greatly improved in CS3, but Adobe hides access to the old-style Brightness/Contrast adjustment command behind an option called Use Legacy.
Exactly what will that phrase mean to a professional photographer who’s only now making the move to digital? (It certainly doesn’t provide any warning that it’s a substandard way to adjust brightness/contrast.) I wouldn’t trade Photoshop’s power for simplicity, but I do think that Adobe could make Photoshop more approachable. Better images Photoshop users have long relied on features such as the Channel Mixer to control the conversion of color images to black-and-white. The new Black & White command makes the process much easier. The Black & White dialog box sports presets that simulate numerous film filters; there’s even a preset that simulates infrared film, though it often blows out image highlights. As for the Channel Mixer, it has also been improved and now offers its own black-and-white conversion presets. The venerable Curves dialog box gets some long-overdue attention in Photoshop CS3, gaining new controls that make it the best place to adjust image tonality.